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Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart.,

There came a year of bad harvest, and the famine was so severe that these poor people determined to get rid of their children. One evening, when they were all in bed, and the woodcutter was sitting over the fire with his wife, he said to her, with an aching heart, "You see plainly that we can no longer find food for our children. I cannot let them die of hunger before my very eyes, and I have made up my mind to take them to the wood to-morrow, and there lose them, which will be easily done, for whilst they are busy tying up the faggots, we have only to run away unseen by them." "Ah!" exclaimed the woodcutter's wife, "Can you find the heart to lose your own children?" In vain her husband represented to her their great poverty; she would not consent to the deed. She was poor, but she was their mother. After a while, however, having thought over the misery it would be to her to see them die of hunger, she assented to her husband's proposal, and went weeping to bed.,

Well, he would not get up yet anyway, since it was raining so hard. He would lie there and sing all the school songs. So he began singing at the top of his voice, “Yes, we love our grand old Norway.” That went splendidly. Then he started another, but that tune ran up rather too high for his voice.,

Meanwhile a circumstance occurred which increased the general discord, and threatened Emilia with the loss of her last remaining comfort—the advice and consolation of Madame de Menon. The marchioness, whose passion for the Count de Vereza had at length yielded to absence, and the pressure of present circumstances, now bestowed her smiles upon a young Italian cavalier, a visitor at the castle, who possessed too much of the spirit of gallantry to permit a lady to languish in vain. The marquis, whose mind was occupied with other passions, was insensible to the misconduct of his wife, who at all times had the address to disguise her vices beneath the gloss of virtue and innocent freedom. The intrigue was discovered by madame, who, having one day left a book in the oak parlour, returned thither in search of it. As she opened the door of the apartment, she heard the voice of the cavalier in passionate exclamation; and on entering, discovered him rising in some confusion from the feet of the marchioness, who, darting at madame a look of severity, arose from her seat. Madame, shocked at what she had seen, instantly retired, and buried in her own bosom that secret, the discovery of which would most essentially have poisoned the peace of the marquis. The marchioness, who was a stranger to the generosity of sentiment which actuated Madame de Menon, doubted not that she would seize the moment of retaliation, and expose her conduct where most she dreaded it should be known. The consciousness of guilt tortured her with incessant fear of discovery, and from this period her whole attention was employed to dislodge from the castle the person to whom her character was committed. In this it was not difficult to succeed; for the delicacy of madame's feelings made her quick to perceive, and to withdraw from a treatment unsuitable to the natural dignity of her character. She therefore resolved to depart from the castle; but disdaining to take an advantage even over a successful enemy, she determined to be silent on that subject which would instantly have transferred the triumph from her adversary to herself. When the marquis, on hearing her determination to retire, earnestly enquired for the motive of her conduct, she forbore to acquaint him with the real one, and left him to incertitude and disappointment.

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“Soldiers!” Bob gasped as the outlines of the men grew clear against the star-lit sky as they topped a near-by ridge. “Cavalry!”,

“This isn’t anything,” growled Jerry, and then they went on again in silence.,

As the machine slipped over the hilltop hiding the dam from sight, Bob turned his eyes to the front. He was riding into the future, happy and content.,

Johnny Blossom thrust his arm out fiercely and drew it slowly in again with his teeth set and his face getting very red. Ha! That was awfully good muscle there, just what muscle ought to be—rounding up in your arm and as hard as iron to feel of. How tired he had been of the other boys’ bragging about Tellef, too. It seemed as if they never talked of anything else. That was why he had been out of patience yesterday. Well, he had shown them, once for all, who was the strongest.